Raising the supine dome.

Orange, Massachusetts, Amy Borezo, 2010.

Artist Books

Image

13 unnumbered pages

color illustrations

27 cm

Environmental Design Library

"Raising the supine dome, by Amy Borezo. Printed in an edition of 20 on Holyoke Fine Paper from 14 point Caslon hand-set metal type and photopolymer plates at Dartmouth College, Hanover, NH in the fall of 2010. Titles set in Futura. Binding inspired by Deborah Howe's screen book."--Colophon.
Double-sided accordion book. Text and illustrations printed on one side of board; white grid on gray background printed on reverse. Numerous cutouts reveal printed grid. Bound in gray paper-covered boards; in cloth-covered slip case, as issued (29 cm).
Publication information from Vamp & Tramp website.
"In 1948 at Black Mountain College, Buckminster Fuller attempted to erect his first geodesic dome, without success. He would return the following year to complete his project and obtain a patent for the structure in 1954. The text in this book comes from a variety of sources including Charles Olson's poem 'The Praises, ' Elaine de Kooning's personal account published in "Sprouted seeds", Martin Duberman's book "Black Mountain College; an exploration in community, and the writings of Buckminster Fuller."--Colophon.
"depicts the visionary architect Buckminster Fuller's first attempt to construct a geodesic dome with a class of students at the experimental school, Black Mountain College, in 1948. The actual construction was a failure because the dome did not rise, but Fuller saw each failure as a way of getting closer to true understanding. The book presents the event as a stripped down, schematic tableau of figures on a white field amidst sinuous red strips of construction material, emphasizing the beauty and poetry of the failed event. The red lines become drawings in space, sprawling and expressive, unwilling to coalesce into the tidy geometry of Fuller's built universe. The figures attempting to erect the dome are physically cut out of the paper, revealing a triangular grid beneath, representing the point at which individuals lose their unique characteristics when working together as a group toward a specific goal. The text contained within the book is a found poem, taken from a variety of primary sources and edited, altered and combined to give the reader a sense of time and place as well as a basic narrative of the event. The writings of Buckminster Fuller and excerpts from the poem about Fuller 'The Praises' by Charles Olson combine with anecdotes from Fuller's class at Black Mountain by Elaine de Kooning. The text is placed along the bottom edge of the book in a subtle and sloping downward arc, echoing the shape of the supine dome that refuses to arc upward. The accordion book's stiff leaves can be paged through as a codex or can stand upright and extend out fully and be viewed from both sides as the play of light and shadow interacts with the cut figures."--Artist's statement from Shelter Bookworks website (http://www.shelterbookworks.com/raising-the-supine-dome/3fp6k1jo9wegc0kbce0v3xwlaobya7).

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