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Twenty-three persons interviewed about church and synagogue buildings and interiors in the San Francisco Bay Area, post-war to the completion of St. Mary's Cathedral: the Catholic Art Forum and predecessor artists and prelates; Jewish temples, Christian Science, Greek Orthodox, Unitarian, and Presbyterian churches; the artist-client relationship where the client is a religious institution; questions of traditionalism, religious affiliation of the commissioned artist, congregational openness, the effect of changes within the churches; ceramic, mosaic, fresco, stained glass, and tapestry technique, metal sculpture work; architectural education; religious conversion and conviction. Volume II.

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